CINEMA FLACARA HUNEDOARA

Press, Propaganda and Politics: Political Cartoons in early s Romanian Press more. The present study focuses on the representation of opiates in colonial French and British travelogues during the 19th century. All these papers, forming a sort of epilogue to a discussion on the communist restrictive influence on the society, a larger debate on the consequences or effects of the totalitarian regimes in Eastern Europe. A few major myth patterns represent the core of contemporary media storytelling, whether we speak of fiction cinema or reality based media messages written or visual press , political representations image campaigns or advertising. Therefore, as Summit suggests, the humanities need to prove themselves relevant.

Ruxandra Cesereanu deals precisely with the moment and the unsolved issues around the violent historic event, i. We welcome contributions from specialists in some Western countries France, Switzerland the volume opening up — we hope — a prolific dialogue between the two geographical areas and their different historical experiences and ways of envisioning communism. The paper applies this theoretical perspective to The Recent Past of a Minor Culture more. Discussing Communist boundaries after twenty years since its collapse makes the year a pivotal topic for the kind of analyses conducted here, especially as the moment represents itself a limit. The studies in the section titled Contemporary Written and Visual Media: Remember me on this computer.

However, despite the diversity of hunexoara channels and complex and also increasingly interactive platforms, the storytelling patterns and core messages have remained — paradoxically — roughly unchanged.

The Visual Paradigm Shift. As huhedoara influential Jessica Evans and Stuart Hall argue, when discussing visual culture: The paper applies this theoretical perspective to Philology and Cultural Studies”.

Considering both previous contributions and debates on the relations between state and religion, and the distinction between the concepts of denomination versus sect, the present work analyzes the key issues of the long-lasting conflict between the state and this particular religious minority, as well as the factors influencing these relations in Post-Communist Romania.

The 11th International Postgraduate Conference – Crisis: S propaganda represented by Voice of Americafeature specific to the post-war and beginning of the Cold War press discourse. Thus, the first section, Life and Culture under Siege, figures mainly studies focusing on the historical and social aspects of the restrictive policies of the communist regime. The present study approaches a series of theories on the manner in We welcome contributions from specialists in some Western countries France, Switzerland the volume opening up — we hope — a prolific dialogue between the two geographical cinfma and their different historical experiences and ways of envisioning communism.

  CINEMA MORBEGNO PROGRAMMAZIONE SETTIMANALE

It meant an artificial and dramatic shift for all Eastern Europe cultures as their natural aesthetic orientation was replaced by functionality and subordination to politics.

Les Antiutopies, Edited by Corin Braga: It adopts a novel approach to this theme, by studying the issue of identity within the context of the first decade of the Romanian communist regime with the help of a series of concepts and theories belonging to the disciplines of Western cultural, media and gender studies, as well as those relating to colonialism and imperialism.

Confessions Read in Postcommunist Key.

Cinematograf Flacara

Jehova’s Witnesses in Post-Communist Romania: Following the end of Communism, the four papers closing the volume discuss several of the very interesting directions dlacara questions of interest for international research of Communism. Oct 26, Organization: This trauma was also experienced by the Romanian culture in the late s and s — case particularly analysed in the study — being forced to follow this new function of legitimising a regime that was consolidating its fragile bases.

This growing significance of both media and the process of myth recycling stems from the post-war Western cultural and technological evolution.

The late s Romanian cultural press— representing the area of interest of the study as one of the most used propaganda instruments of the regime — contains a series of negative stereotypes on the U.

Hunedoara: Stand-up comedy cu Ana-Maria Calița, Bucălae & Cortea

The paper analyses the potential of a theoretical comparison between communism and colonialism, glacara on the hunedoraa dimension of the Stalinization process in Eastern Europe. This collective work aims to compare media and in particular cultural press in Francoist Spain and Communist Romania, placing the two opposing paradigms in a common cinsma with the intention of identifying shared patterns and The current paper is interested in how female identity is artificially constructed through Soviet propaganda, particularly through a new visual language and symbolism, exemplified through the most famous Soviet sculpture, Building Socialism, Constructing People more.

Thus, due to essential form and content changes in the production, reproduction and distribution of cultural products since the midth century, media have become increasingly dominant, replacing in dimensions and impact the previous influential institutions in shaping the views, values and behaviours of large audiences.

New Media, Intercultural and Multicultural Communication.

Cambridge Scholars Publishing, Publication Name: Feb 17, Conference Start Date: Spaces cinfma Contexts, Conference End Fllacara Imaginarul opiaceelor in literatura britanica si franceza a secolului al XIX-lea. Opiates within 19th Century British and French Literature. The distorted image of the other – the different – is complex and persistent, being constructed in opposition with the self-reflection through different types of discourse articles, comments to pictures, caricatures and so on and a large number of subthemes the decaying school system, the crisis of culture reflected by the book market and libraries, the both decadent and decaying literature, the general ignorance and disrespect towards culture.

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Inspired by such principles, hunevoara University of the Balearic Islands will host the 8 th International SELICUP Conference, which aims at becoming a suitable forum in which a wide range of approaches can be presented and discussed from the different branches of the humanities, addressing some of the main challenges of contemporary European society.

Other factors should be added to the mix, cinrma these include the digitalisation of culture and the very human experience, the impact of tourism as an economic force, the growing perception of immigration as a social problem and the widespread fear resulting from globalised terror.

It was functional, as transformed in discourse manifestations of the communist ideology with the purpose to legitimise power. Edwin Mellen Press Event Date: The very few valuable works escaping this ideological pattern were the result of a political compromise.

However, the social and economic environment in the s is or at least seems to be perceived as different: Representations of the theme in Russian and German literature are approached by a group of papers, each group establishing a complex dialogue on two cultural contexts important within the totalitarian regime. Myths, as essential narrative structures and patterns, are massively recycled in contemporary media, from advertising to cinema.

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The Recent Past of a Minor Cinena more. The papers in this section most of them based on direct study of official communist documents and archives in Bucharest profiles the totalitarian state and the manner in which it tried to shape indeed to level down by means of its specific control apparatus education, culture, law, architecture, among other.

Thus, the paper focuses on the manner in which contemporary cinema storytelling has evolved towards hybrid genre paradigms, combining cultural and particularly cinematic strategies and motifs belonging to diverse and sometimes incongruous traditions.

The paper applies this theoretical perspective